
A 50mm PRIME THAT OPENS UP A WHOLE NEW, MAGICAL WORLD FOR YOU
IMPRESSION A 50mm PRIME THAT OPENS UP A WHOLE NEW, MAGICAL WORLD FOR YOU ART 50mm F1.4 DG DN by Maike Wittreck metadata SIGMA 50mm F1.4 DG DN | ArtSony…
READ MOREThe highest level of expressive performance, high-speed AF,
and compactness―all combined in perfection.
The new standard for “Art F1.4” large-aperture standard prime.
Designed with a focus on sophisticated optical performance and tremendous expressive power, Sigma’s Art line delivers high-level artistic quality. The newest addition to the F1.4 series, which has become synonymous with the Art line, is the Sigma 50mm F1.4 DG DN | Art, a large-aperture standard lens designed exclusively for full-frame mirrorless cameras. While retaining the concept of the original Sigma 50mm F1.4 DG HSM | Art that defined the reputation of the Art F1.4 series, Sigma has reexamined from the very beginning what is truly important in a standard lens used in a wide range of shooting situations. By incorporating all the latest technologies, this lens has achieved a high degree of compatibility between the optimum size and high-speed AF required for today’s mirrorless systems, while maintaining the highest-class optical performance. In addition to the brightness of the large F1.4 aperture and the large, beautiful bokeh effect, various aberrations have been optimally balanced in pursuit of uniform and balanced image quality throughout the entire image range, from the center to the edges of the frame. The result is the new “Art F1.4 50mm,” a lens that is truly all-around capable in terms of expressive performance, maneuverability, and usability, and is designed to help photographers create their best work. Introducing the 50mm F1.4 DG DN | Art, Sigma’s ideal “standard” lens.
| Camera Type | Mirroless |
|---|---|
| Corresponding Mount | L-Mount, Sony E-Mount |
| Sensor Format | Full-frame [DG] |
| Lens Construction | 11 groups, 14 elements |
| Angle of View | 46.8° |
| Number of Diaphragm Blades | 11 (rounded diaphragm) |
| Minimum Aperture | F16 |
| Minimum Focusing Distance | 45cm / 17.8in. |
| Maximum Magnification Ratio | 1:6.8 |
| Filter Size | φ72mm |
| Dimensions (Diameter × Length) | L-Mount:φ78.2mm × 109.5mm / φ3.1in. x 4.3in. Sony E-mount:φ78.2mm × 111.5mm / φ3.1in. × 4.4in. |
| Weight | L-Mount:670g / 23.6oz. Sony E-mount:660g / 23.3oz. |
| Edition Number | A023 The three-digit code on the surface of the lens is to indicate the year the lens was first released. |
| Supplied Accessories | CASE |
| Mount / Product Barcode | L-Mount:00-85126-31669-3 Sony E-mount:00-85126-31665-5 |
| Camera Compatibility | LINK |
| * This product is developed, manufactured and sold based on the specifications of E-mount which was disclosed by Sony Corporation under the license agreement with Sony Corporation. * L-Mount is a registered trademark of Leica Camera AG. |
The “Art F1.4” standard with uncompromising optical performance
Based on the latest optical design technology, the lens incorporates 14 elements in 11 groups, with 3 aspherical lenses and 1 SLD glass element. The lens effectively suppresses various aberrations such as astigmatism and field curvature, which cannot be corrected in-camera. Despite the large aperture of F1.4, the image formation performance on the periphery of the image has been pursued and sagittal coma flare has been minimized to the extent that the lens can withstand even challenging star and night scenes, with demanding severe point light source imaging, from wide open. In addition to clear image quality with no color blur throughout the entire image circle, the large, natural bokeh beauty of F1.4 can be fully utilized in photography.
High-speed AF for nimble and comfortable shooting
The Sigma 50mm F1.4 DG DN | Art is the first in the Art line exclusively designed for full-frame mirrorless cameras to adopt the “HLA” linear motor (High-response Linear Actuator) . In addition, by using a single double-sided aspheric lens as the focus element, the lens offers fast and quiet focusing and high tracking performance despite its large aperture. With a maximum aperture of 1.4 and a high-performance AF system, the lens can be used in a variety of situations, including shooting in dark places, shooting moving subjects, snapshots, and even video.

High performance, yet slim and compact

Full range of functions and high build quality

Dust and Splash Resistant Structure for security in various shooting situations
The lens is equipped with a dust and splash resistant structure, and the front element of the lens is applied with a water and oil repellent coating, making it suitable for a wide range of shooting environments. The lens is compact, lightweight, and easy to use, while at the same time ensuring high build quality assured by the Aizu factory’s reliable processing technology of “Made in Japan”.

DG DN “Art F1.4” series lineup includes 5 lenses from 20mm to 85mm
20mm F1.4 DG DN | Art, 24mm F1.4 DG DN | Art, 35mm F1.4 DG DN | Art, 50mm F1.4 DG DN | Art, 85mm F1.4 DG DN | Art

LENS CONSTRUCTION


MTF Chart
DIFFRACTION MFT

GEOMETRICAL MFT


MTF CHART GUIDE
The MTF (Modulation Transfer Function) is one of the measurements for evaluating a lens’ performance, and it shows how faithfully the contrast of the subject can be reproduced on the image plane. The horizontal axis shows the image height (distance from the center of the image in mm) and the vertical axis shows the contrast value (maximum value is 1).
The closer the 10 line pairs/mm curve is to 1, the higher the contrast and clarity of the lens is, and similarly, the closer the 30 line pairs/mm curve is to 1, the better the resolution and sharpness of the lens is.
*The MTF chart depicts the result at the wide-open aperture.
*For mirrorless lenses that support distortion correction, the horizontal axis shows the image height equivalent to when an L-Mount lens is attached to a Sigma L-Mount camera with distortion correction applied. (The effect of distortion correction may differ depending on the mount and camera used.)
*The spatial frequency indicates the variation on the image plane before distortion correction is performed.
To increase stability, this lens configuration uses movable internal lens elements that adjust focus without changing the length of the lens barrel
HLA is Sigma’s proprietary linear motor. It drives the focus lens directly without going through gears or other mechanical parts, resulting in quiet, high-precision autofocusing.
Matching the optical characteristics of the lens, this function performs in-camera corrections of peripheral illumination, chromatic aberrations, distortion, and more, to further enhance image quality.
*Function available on supported cameras only. Available corrections or auto correction functionality may vary depending on the camera model.
*On cameras where lens aberration correction is controlled with ‘ON’ or ‘OFF’ in the camera menu, please set all aberration correction functions to ‘ON'(AUTO).
Sigma’s own Super Multi-Layer Coating suppresses flare and ghosting by preventing reflections with in the lens. All lenses in the current Sigma range feature this original technology. In digital cameras, flare and ghosting may also be caused by reflections between the image sensor and lens surfaces. Here too, Sigma’s Super Multi-Layer Coating is highly ef fective, assuring images of outstanding contrast.
Incorporates a water and oil-repellent coating that allows water to be wiped away easily and prevents oil and fat from sticking to the surface, even in challenging shooting conditions. At the same time, the maintenance of the lens surface becomes easier.
Aperture ring, designed to help users work intuitively
Mounted with a de-click function for removing clicks by the aperture ring click switch, enabling seamless operations that are especially useful such as during video shooting.
A ring lock system to prevent from unintended movement of the aperture ring during shooting.
the AFL button can be assigned with various functions widens the range of operations available on the lens.
A focus movement method of interchangeable lenses for mirrorless cameras (DN lens) in relation to the rotational angle of the focus ring during manual focusing.
With “non-linear focus,” the amount of focal point movement varies depending on the focus ring rotational speed.
With linear focus, if the focus ring rotational angle is the same, the amount of focal point movement remains the same regardless of the focus ring rotational speed.
Using this swich, it is possible to switch the focus mode between AF and MF.
This lens features a highly effective dust and splash resistant structure with special sealing at the mount connection, manual focus ring, zoom ring, and cover connection.
*Although this construction allows the lens to be used in light rain, it is not the same as being waterproof, so please prevent large amounts of water from splashing on the lens. It is often impractical to repair the internal mechanism, lens elements and electric components if they are damaged by water.
Features a hood with lock to prevent dropping the hood.
Supports DMF and AF+MF
Compatible with AF assist (for Sony E-mount only)
Compatible with Sigma USB DOCK UD-11 (sold separately / for L-Mount only)
Designed to minimize flare and ghosting
Every single lens undergoes Sigma’s proprietary MTF measuring system
Compatible with Sigma USB DOCK UD-11 (sold separately / for L-Mount only)
Designed to minimize flare and ghosting
Every single lens undergoes Sigma’s proprietary MTF measuring system
13-blade rounded diaphragm
High-precision, durable brass bayonet mount
Mount Conversion Service available
“Made in Aizu, Japan“ craftsmanship

| Camera | SONY α1 |
|---|---|
| Shutter Speed | 1/3,200s |
| Lens F Number | F2.5 |
| ISO | 100 |
| Focal Length | 50mm |
| Photographer | Hagiwara Kazuyuki |

| Camera | Sony α7R III |
|---|---|
| Shutter Speed | 1/500s |
| Lens F Number | F1.8 |
| ISO | 400 |
| Focal Length | 50mm |
| Photographer | Elliot Aubin |

| Camera | SONY α1 |
|---|---|
| Shutter Speed | 1/400s |
| Lens F Number | F1.4 |
| ISO | 100 |
| Focal Length | 50mm |
| Photographer | Hagiwara Kazuyuki |

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