SMALL, POWERFUL, ADAPTABLE
The Sigma FP2 is a camera fully designed around human creativity. Purposefully deconstructed, its identity rests on three core principles: small, powerful, adaptable. Equipped with a full-frame sensor, it remains light and pocketable, achieving the world’s smallest*1 body. It scales to its user, offers functionality without clutter, and switches seamlessly between Still and Cine, each with its own workflow and dedicated UI.
Even in the digital age, taking a photograph is a deeply physical process. There is a powerful connection between the experience of using a camera and the philosophy behind its design. How it feels to hold and use the camera guides how you see and capture the world.
*1 As of October 2026, by Sigma.
A LIGHT, POCKETABLE AND FULL-FRAME CAMERA.
THIS IS YOUR CAMERA
Photography reveals deep, fundamental truths about the subject in front of the camera, the photographer behind it and the relationship between them. It is a personal form of expression. Even given the same circumstances, no two people will ever take the same picture.
This is why we believe the photographer should not need to adapt to their camera. In our view, the ideal camera is one that fits seamlessly into the individual preferences, requirements, and style of the photographer. It should be a natural extension of the photographer’s physical and mental self; a true tool whose presence disappears in use. This is the belief behind Sigma’s approach to camera design.
Full-frame expressive power and wide dynamic range
At the heart of the Sigma FP2 is an advanced full-frame sensor that captures images with exceptional resolution, rendering power, depth of color and subtle tonal gradation. Its uncompromising performance gives photographers the freedom to capture any scene or subject, no matter the shooting conditions.
CAPTURED WITH FP2 BY BORJA LLORENS
Color modes for creative freedom in photography
Thirteen color modes, selectable with the dedicated “Color” button, enable intuitive and unrestricted creative expression . Developed on the basis of Sigma’s own color science, this diverse range of preset modes lets photographers craft the tone of their work, capture the atmosphere of the moment and bring out the full appeal of their photography.
A true evolution of the fp series
The Sigma FP2 inherits the innovative concept of the original fp, along with the distinctive character that made it one-of-a-kind. At the same time, every element and function of the camera has been reexamined and refined to create a more intuitive and expressive shooting experience, making the FP2 a true evolution of the fp series.
A NEW FREEDOM IN FRAMING
While keeping its compact body, the Sigma FP2 features a tilting LCD that tilts up 90° and down 45°. From low angles to high angles, it broadens the photographer’s perspective.
Easily attached to and detached from the camera via a single USB-C port, the high-resolution, high-luminance electronic viewfinder helps photographers feel deeply immersed in their photography. Its tilting mechanism angles upward by up to 90°, making it comfortable to shoot not only at eye level but also at waist level.
24.5-megapixel partially stacked CMOS sensor
The high-performance partially stacked CMOS sensor delivers outstanding rendering power, advanced AF performance and excellent dynamic range. Its high-speed readout significantly reduces rolling shutter distortion, enabling even faster continuous shooting and video recording at high frame rates.
ADVANCED AF PERFORMANCE
HIGH-CAPACITY BATTERY
With improved accuracy, speed and low-light performance, the sophisticated AF system captures subjects reliably,
so decisive moments are never missed. In addition to people and animals, the advanced subject detection function now also recognizes birds.
While maintaining the compact size that defines the fp series, the Sigma FP2 achieves approximately 30% longer battery life than the original fp.
Its high-capacity battery can capture approximately 370 still images or about 130 minutes of video, enabling extended shooting sessions.
MANUFACTURED IN AIZU
Like all Sigma products, the FP2 is fully manufactured and assembled in our factory in Aizu, Japan. Its precise build quality, reliability, and sensory qualities are made possible by our unique production system and the expertise and craftsmanship of our skilled staff.
Every texture, material, and detail has been carefully chosen to complement the precision and sensitivity of the human hand. Each element serves a purpose, enabling photographers to work and express themselves in their own way
BUILD QUALITY, RELIABILITY AND SENSORY QUALITIES DEFINE THE FP2.
THE SIGMA FACTORY IN AIZU, JAPAN.
TEXTURES AND MATERIALS CHOSEN TO COMPLEMENT THE HUMAN HAND.
CAPTURED WITH FP2
The following series were captured with the Sigma FP2. Taken by three renowned artists known for their unique styles, these works showcase different approaches to photography and filmmaking, revealing the camera’s expressive capabilities.
MIN HYUNWOO
BORJA LLORENS
In Min Hyunwoo’s work, moments of connection evoke a sense of longing for what can happen only once.
In Nepal, Hyunwoo was living alongside local people and creating images for his ongoing project “Your eyes”.
Spanish cinematographer Borja Llorens returned to the coast of Alicante to visually
explore his relationship with water through kayaking, cave exploration, and night diving.
EXPLORE
EXPLORE
A full-fledged cinema camera at the flip of a switch
The Sigma FP2 is both a still camera and a full-fledged cinema camera. A single dedicated switch on the top of the body instantly toggles between STILL mode and CINE mode, each with functions, a user interface and a workflow fully optimized for that mode. Optimized for the creative production process and highly customizable, the FP2 is a true cinema camera capable of cinema-quality imagery, offering both mobility and performance in an exceptionally compact and lightweight body.
A compact, dedicated cinema camera
Professional Cine Features
The Sigma FP2 supports 6K OpenGate recording, capturing every bit of information from the full-frame sensor.
Footage can be adapted to a variety of formats with different aspect ratios while maintaining high image quality, supporting video production in the multi-platform era.
Designed with ample highlight headroom, the Sigma FP2 delivers rich tonal gradation even in high-contrast environments.
With 7 stops of headroom secured at ISO 1250 and above, it offers greater freedom for color grading in post-production.
*2 When using 4K FF L-Log.
The Sigma FP2 supports 32-bit float audio recording, reducing noise at low volumes and clipping at high volumes for recording with a wide dynamic range.
*3 When the optional HU-21 hot shoe unit is attached and the Panasonic DMW-XLR2 and DMW-DMS1 are used.
The Sigma FP2 supports Apple ProRes RAW, which combines a high degree of editing flexibility with the efficient data handling of compression.
It also supports L-Log from Leica Camera AG , which can be edited directly in a wide range of grading software, accommodating a diverse range of workflows.
The Sigma FP2 is equipped with a Director’s Viewfinder function that can simulate the shooting ranges of various brands’ cinema cameras.
In addition to the desqueeze display mode for use with anamorphic lenses, the FP2 now supports the latest equipment,
including the ARRI ALEXA 35 and Sony VENICE 2 / BURANO. The LCD Viewfinder LVF-21 (sold separately) is also available,
allowing users to reliably check the view on the optical axis.
New
FP2
Available Mounts
L-Mount（Black）
Model
Sigma FP2
Sigma FP2 + 50mm F2 DG | Contemporary
Sigma FP2 + ELECTRONIC VIEWFINDER EVF-21
- Top-class performance in the world’s smallest body
- A full-fledged cinema camera at the flip of a switch
- Accessories for greater expandability
| Product Name | Sigma FP2 | |
| Type | Type | Interchangeable-lens Mirrorless Type Digital Camera |
| Memory Media | Internal Memory (Approx. 70 GB), SDXC memory card (UHS-II supported), Portable SSD (USB 3.2 connection, USB bus power supported) | |
| Lens Mount | L-Mount | |
| Image Sensor | Type | 35 mm full-frame (35.9 mm x 23.9 mm) partially stacked CMOS sensor |
| Camera Effective Pixels / Total Pixels | Approx. 24.5 MP / Approx. 26.8 MP | |
| Aspect Ratio | 3 : 2 | |
| Still Image File Format | Lossless compression RAW (DNG) data 14 bit / JPEG (Exif3.0), RAW (DNG) + JPEG recording is possible | |
| Image Aspect Ratio | [21:9], [16:9], [3:2], [A Size], [4:3], [6x7], [1:1] | |
| File Size | RAW | 6016 x 4012 |
| JPEG | 6016 x 4012 | |
| Crop | 3840 x 2560 (Equivalent to Approx.1.5 times the focal length) | |
| Movie Recording Format | Movie Format | Apple ProRes RAW HQ, Apple ProRes RAW (12bit) / MOV: H.264, H.265, L-Log |
| Audio Format | Linear PCM (4ch 96 kHz, 2ch 192 kHz / 24 bit), Float (4ch 96 kHz, 2ch 192 kHz / 32 bit) | |
| Record Format / Frame rate | 6K* / 23.98, 24, 25, 29.97, 47.95, 48, 50, 59.94 fps *Cannot be used in conjunction with EIS 4K / 23.98, 24, 25, 29.97, 47.95, 48, 50, 59.94 fps (100 fps and 119.88 fps are also supported in DC crop mode) 2K / 23.98, 24, 25, 29.97, 47.95, 48, 50, 59.94, 100, 119.88 fps * 47.95fps is available only for ProRes RAW HQ and ProRes RAW. 48fps is not available in H.264. * ProRes RAW HQ and ProRes RAW support up to 6K 29.97 fps and 4K 59.94 fps. | |
| Video Aspect Ratio | [3:2], [16:9], [17:9], [4:3] *2K: [16:9] only | |
| Continuous Shooting Enable Time | 2 hours | |
| Focus | AF System / Focus Mode | Image Plane Phase-Detection AF + Contrast detection system / Single AF, Continuous AF, Tracking AF, Manual Focus |
| AF Sensitivity Range / AF Area | -5~18 EV (F1.4: ISO 100) / 6-steps | |
| Other Focus Functions | Subject Tracking AF (Human / Dog + Cat + Bird, with Eye AF), AF+MF, MF Magnification, Focus Peaking, Release / Focus Priority, Focus Ring Control (Non-linear, Linear) | |
| Exposure Control | Metering System | Evaluate, Spot Metering |
| Metering Range | -5~18 EV (50 mm F1.4: ISO 100) | |
| Still Shooting Mode | (P) Program AE, (S) Shutter Speed Priority AE, (A) Aperture Priority AE, (M) Manual | |
| Movie Shooting Mode | (P) Program AE, (S) Shutter Speed Priority AE, (A) Aperture Priority AE, (M) Manual | |
| Drive | Drive Modes | Single Capture, Continuous, Self-timer, Interval Timer (Movie output available), Exposure Bracketing, Focus Bracketing, White balance Bracketing |
| Continuous Drive Speed | 20 fps, 8 fps, 5 fps, 3 fps | |
| Number of Recordable Frames | 20 fps: JPEG 200 frames, DNG 180 frames 8 fps: JPEG 3000 frames, DNG 630 frames | |
| Monitor | Type / Coverage | Tilting TFT color LCD, Aspect Ratio 3:2, 3.15 type, Approx. 2.1M dots , Electrostatic capacitance system touch panel / Approx. 100% |
| Angle Adjustment | Approx. +90~-45 degrees | |
| Color Mode | 13 types Standard, Rich, Calm, Powder Blue, Warm Gold, Teal and Orange, FOV Classic Blue, FOV Classic Yellow, Forest Green, Sunset Red, Cinema, 709 Look, Monochrome | |
| Flash | Flash Mode | TTL Auto Exposure, Manual Flash, Wireless Flash, Multi Flash |
| Optional Functions | Red-eye Reduction, Slow Synchronization, Rear Curtain Synchronization | |
| Flash Exposure Compensation | Max. ±3 EV in 1/3 EV step increments | |
| Flash Sync. Speed | Max. 1/50 sec. * 1/60 sec. or less at crop mode | |
| External Flash Support | Available when the HOT SHOE UNIT HU-21 is mounted. (shares specifications with OM System / Lumix) | |
| Director’s Viewfinder | Supported Cameras | ARRI: ARRICAM / ARRIFLEX, ALEXA LF / ALEXA Mini LF, ALEXA Mini, AMIRA, ALEXA 35 Xtreme SONY: VENICE / VENICE 2 6K, VENICE 2 8K, BURANO RED: MONSTRO 8K, HELIUM 8K, DRAGON 6K, EPIC MX 5K, GEMINI 5K, V-RAPTOR XL [X], KOMODO X |
| Desqueeze Ratio | 1.25x, 1.3x, 1.33x, 1.5x, 1.6x, 1.65x, 1.8x, 2.0x | |
| Other Function | Save / Load Settings via QR code, Screenshot, Webcam, In-camera DNG Development, Still image capture from recorded movie files, Fill Light (Supports only in-camera DNG Development), Gyroflow support | |
| Built-in Microphone / Speaker | Stereo Microphone, Monaural Speaker | |
| Display Language | English, Japanese, German, French, Spanish, Italian, Simplified Chinese, Traditional Chinese, Korean, Russian, Dutch, Polish, Portuguese, Danish, Swedish, Norwegian, Finnish | |
| Interface | USB | Port 1: USB 2.0 Type-C (UAC, Cable Release, EVF, Charging / Power Delivery) Port 2: USB 3.2 Type-C (Mass Storage, UVC, UAC, Cable Release, Charging / Power Delivery) |
| HDMI | Type A (Ver.2.1) | |
| REMOTE | Cable Release (via USB) | |
| Timecode Input | Also used as an external microphone terminal | |
| External Microphone Terminal | Φ3.5 mm stereo mini jack (Plug-in power support), USB (UAC 2.0 support) | |
| Headphone Output Terminal | Supported via USB | |
| Flash-synchro Terminal | Dedicated terminal (with HOT SHOE UNIT HU-21 mounted) | |
| Dust and Splash Resistant Structure* | Provided *Although this construction allows the camera to be used in light rain, it is not the same as being waterproof. | |
| Power | Power Source | Li-ion Battery Pack BP-91, USB PD*, DC CONNECTOR CN-91* * USB AC adapter supporting 27W or higher is recommended. |
| Number of Recordable Still Images | Approx. 370 images | |
| Minutes of Recordable Movie Shooting | Approx. 130 min. | |
| Dimensions and Weight | Dimensions (W x H x D) | Approx. 112.8 x 69.9 x 41.8 mm / 4.4 x 2.8 x 1.6 in. |
| Weight | Approx. 460 g / 16.2 oz. (including SD card and battery), Approx. 376 g / 13.3 oz. (Camera Body Only) | |
| Operating Environment | Operating Temperature | 32 to 104 °F / 0 to +40 °C |
| Operating Humidity | 85 % or less (non-condensing) | |
| Supplied Accessories | POUCH LI-ION BATTERY PACK BP-91 STRAP STRAP HOLDER SH-11 BODY CAP Start Guide Limited Warranty Warranty Sticker | |
| Optional Accessories | HAND GRIP HG-11 ELECTRONIC VIEWFINDER EVF-21 LCD VIEWFINDER LVF-21 BASE PLATE BPL-21 HOT SHOE UNIT HU-21 CABLE RELEASE CR-51 BATTERY CHARGER BC-91 DC CONNECTOR CN-91 STRAP HOLDER SH-11 (2pcs) |
Supplied Accessories
LI-ION BATTERY PACK BP-91
Metal Body Cap (Black)
BODY CAP BCM-11-TL
Separately Sold Accessories
ELECTRONIC VIEWFINDER EVF-21
HOT SHOE UNIT HU-21
BASE PLATE BPL-21
LCD VIEWFINDER LVF-21
BATTERY CHARGER BC-91
